For the months of January & February, read about how Maker Xin Feng made the final changes to the puppet after receiving feedback from jamming sessions, to get Chiam stage-ready for his live performance in Little Mournings!
Read MoreFor the first entry in the TFP Fellow Journals series, Sindhu Kalidas writes about her role as a dramaturg on Jun and the Octopus. She shares more about what she does in the rehearsal room, the collaborative work she does with director and cast, and the evolution that the rehearsal process has undergone.
Read MoreIt's finally time to put the puppet together! Read on to learn how the puppet's head, eyeballs, chest and limbs are all assembled, and the challenges that our Maker Xin Feng faced along the way. She shares more about her difficulties faced, lessons learned, and the importance of relying on others for help.
Read MoreIn this latest feature, we speak to our Maker, Sim Xin Feng, who has been part of our inaugural The Maker's Lab, a nine-month programme to nurture and grow builders and designers of puppets and objects. Xin Feng shares with us more about her journey transitioning from acting into making, the art that has inspired her, and her love-hate relationship with the practice.
Read MoreIn this latest #HelloTFP feature, Co-Artistic Director Ellison Tan tells us more about how she first got involved in theatre, her journey with The Finger Players from Apprentice to Co-Artistic Director, and transitioning into taking on other roles within the company.
Read MoreTurn By Turn We Turn Digital Resource 4 – Shimu. This segment speculates on the lives of two women through two personal letters—one from Ong Kian Sin to Shimu (Li Bofen shifu’s wife), and another from the play’s character Bo Yuan to his wife.
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